One still. A talking Albie. Anywhere.
The scalable default is generate-from-a-still: we make an AI photo of Albie in any setting or wardrobe, feed it his cloned voice + a script, and a model makes him talk — no filming, no fixed car clip. That's the path to thousands of videos a week. Below is the exact same still + same voice + same line, run through the two best still-to-talking-head models. Watch them in motion and pick the one that sells.
The source
never filmedThis photo doesn't exist. It's an AI still of Albie in a high-rise office he's never been in, wearing a suit we never shot — generated in seconds from his identity model. Every video below starts here.
The line
recruit · calm stage voice"Every family I sit with is one bad day away from real trouble, and most have no plan. I get to be the person who shows up before that day, not after. That's the whole job."
Zero numbers, compliance-safe. Spoken in Albie Stage (his pick), dialed calm. Both videos use this identical audio track — so the only variable you're judging is the model's motion + lip-sync.
Head to head
same still · same voice · same lineHow to judge — watch in motion, not stills
Both look great frozen. The lesson from the lip-sync bake-off: a still can't tell you if it's synced. Play each full, sound on, and rate:
- Lip-sync lock — do the lips actually hit the words, or does it drift into "voiceover over a moving face"?
- Believability — could a stranger scrolling think this is a real man talking to a phone?
- Energy — does it carry conviction, or go slack and dead-eyed?
- Identity — still unmistakably Albie the whole way through?
| A · Kling v2 Pro | B · OmniHuman 1.5 | |
|---|---|---|
| Cost / 15s | ~$1.70 (cheaper) | ~$2.40 |
| At 2,000 vids/wk | ~$3.4k/wk | ~$4.8k/wk |
| Motion feel | Gestures, expressive | Cinematic, restrained |
| Best when | UGC / talk-to-camera | Polished / brand hero |
Tell me A or B and it becomes the studio's default talking-head engine. We can also keep both — Kling for volume UGC, OmniHuman for the occasional hero cut — and let the mode pick. Once you call it, I wire it into the live Create flow so every reel renders this way, at scale.